Showing posts with label solids. Show all posts
Showing posts with label solids. Show all posts

April 15, 2019

What Was I Thinking?

What was I thinking? Seriously.

I don't usually prewash my fabric. I know there are many of you out there that do and I tip my hat to you for being that motivated. It's not a task for the feint of heart. Unless you diligently prewash every single thing you bring home each and every time you buy fabric. Otherwise it can be a big confusing mess.


Having heard stories of bleeding solids and ruined quilts, I decided to prewash the solids I plan to use for my BoulderMQG color study quilt. A project I have yet to start but I do still plan on making it so bear with me. The color study will return . . .


That led to deciding to prewash ALL my solids. I have several modern quilt ideas that will use all solids so why not be prepared?

Well . . . it took FOREVER. And technically I'm still not done as I haven't done the grays yet. I used color catchers in every load and there was very very very little bleeding. Seriously. That bit of aqua was the worst it ever got after loads of washing in all colors. Was it really worth all this effort?


The bigger problem I encountered was fading along the fold lines. My fabric is stored on open shelving but it never gets any direct sunlight so I was quite disappointed to see just how many cuts had faded along the fold. Nothing to be done about that but it does make me less likely to stash solids until I know how to avoid the fading. For now I'm storing them in tubs behind closed doors.

I have four tubs of freshly washed solids now. If only I had the motivation for those modern all solid quilts right now. Hopefully later this year . . .



At this point, I'm wondering why I got myself into this mess. And where does it end? What if I find other solids stashed away for a particular project like I did last week? Now I need to wash those because I've washed all the others. And what about projects that might mix solids with unwashed prints. Oy!!!

I'm not telling you this to start up a debate on prewashing. To each their own when it comes to that decision.

But I am curious about something. If you are a prewasher what is your process?

  • Do you wash everything first before adding it to your stash? 
  • Do you worry about mixing prewashed fabric with unwashed fabrics? 
  • Do you worry about using precuts (unwashed) with prewashed fabrics?
  • Do you have problems with fabrics fading along fold lines?

It feels like I've opened a HUGE can of worms and I am regretting my decisions. Where does it end?

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November 1, 2014

Final Four-in-Art Mini; Lights

It's time for the reveal of our final Four-in-Art mini quilt for this year. The yearly theme was Urban and the topic for the last quilt was Light. Our previous topics have been; Maps, Structures, Landmarks, and Contrast. See the end of this post for a recap of all my Four-in-Art quilts.


Light seemed like a nice way to finish off the year because 'I saw the light' several times throughout my year long journey with the group. More on that later. I knew right away what I wanted to depict for light. I grew up in northern Indiana where the landscape is flat and the view restricted. There are very few high vantage points from which to see off into the distance. Gray skies and a relatively short, close-in perspective of the horizon make it feel is if you are living under a dome.

When I traveled west for the first time, I was quite struck by the sweeping views, the expansive skies and especially the dark silhouettes of the mountains with the lights of the city in the foreground. There are so many high vantage points where you can see for miles and miles . . . no gray domes here. This view of dark mountains silhouetted against the twilight sky with twinkling city lights stretching out for miles has become one of my favorite images of living in the west. So this is what my mini depicts.

I decided to approach this mini a little differently than I have the others. I have long admired the artists who manage to create small works of art in a short amount of time with materials on hand as a form of daily creative excercise. This improvisational, quick approach is so not me, but that's what I tried here. No pre-plan (very hard for me). No computer designing at all (also very hard for me). No drawing anything out . . . well almost no drawing. Just an kernel of an idea.

I raided my stash and found this bit of batik from who knows when and why. Perfect to depict city lights. A few solid blues and some fusible and I was ready to begin.



As usual, I didn't remember to take process photos as I went along but it went something like this. I fused a foreground and sky fabric to my base of fusible fleece. Added a couple of mountain shapes using Wonder Under. Added a few more foreground foothills and then the batik fabric to depict the city lights. No fussing about the shapes. No elaborate templates. Just simple cutting and fusing. I like it!

The final step to complete the top was to enhance the lights. For this I raided my scrapbooking supplies for blue markers and a little fabric paint. A touch of marker here and there to dim down the "lights" and a touch of fabric paint here and there to create brighter clusters of lights and my mini was done. Well almost done.

The quilting was simple and fast. A few wandering lines to create layers to the landscape. A few cloud outlines to evoke a bit of sky and I called it done. For finishing I thought of doing a facing so the edges would just disappear but in the end went with a simple binding. I did use two colors of blue to match the sky and the ground.

And there you have it. Not nearly as fast as the daily exercises of some artists, but faster than my usual by far. Yea!!! Writing this post is taking nearly as long. I'm pleased with the results and happy to reveal my final Four-in-Art mini . . . "Twilight in Colorado"



What would I do differently? Well, overall not much. I used three shades of blue and would have liked a slightly darker blue for the mountains to give them an even deeper, more foreboding and looming impression. That's how the mountains feel to me when they are silhouetted against the evening sky. Dark and mysterious. I might have cut a few more organic lines instead of the straight edges I used. The biggest thing might be to have used a different format. I think a long horizontal would have really enhanced the whole concept of the vast expansive views I so like. Overall the whole idea feel into place much as I had imagined and I'm quite pleased with my final quilt.

Here's a recap of all the previous minis I've made during this little quilting adventure.

#1  Maps, my hometown in Indiana.

#2  Structures, highway overpasses.

#3  Landmarks, the Flatirons of Boulder, CO

#4  Contrast, city vs nature.

In closing, I'd like to say I joined this small group as a means of jump starting my desire to explore making art quilts. It was appealing to think of finally making art quilts after only dreaming of making them and the small size made it all seem quite doable. It turned out to be both a very good challenge and doable too. However, I learned over the course of the year that making art quilts isn't really my passion. At least not at this time and perhaps not with specific themes attached. In the future I might return to exploring smaller art quilts but I think they will be on a more abstract, less thematic, basis. I enjoyed the year and am much better off for the experience. But I also came to realize my real passion is designing quilts and developing them into patterns, so I have decided not to continue with Four-in-Art next year. It was a hard decision because I value the friendships and connections that were made. I will look forward to following along throughout next year to keep up with what everyone does. Thank you Four-in-Art members for all the wonderful inspiration you and your minis have given me. Keep up the great work.

Thanks for following along on my journey into the world of art quilts. All the more power to those of you who truly excel in this area of quilting. Please take a look at how the topic of Light was interpreted by all the other talented Four-in-Art quilters.

Amanda at whatthebobbin.com
Betty on her Flickr site: http://www.flickr.com/photos/toot2
Elizabeth at opquilt.com

October 14, 2014

Mid October Already!!!

Say it isn't so . . . mid October and I haven't posted once this month. Time just seems to slip away like the leaves are slipping from the trees and the warm temps are fading. My last post was for the Around the World Blog Hop. If you'd like to learn a little more about me and my process check it out. My daughter also posted for the same hop and she'd love to have you take a look and even start following her as she begins to build her blog, Emily Claire Studio.

Today I thought I'd post about a wall hanging/table runner I made awhile back that's in the fall issue of Stitch Magazine. The theme was contrast and you can't get higher contrast than pure black and white. The idea had been floating around in my sketchbook and this particular theme seemed like the perfect excuse to make it up and submit the concept. Thankfully the nice people at Stitch agreed.



I have a real passion for colorful large scale prints. Fabrics by Kaffe Fassett and Amy Butler being at the top of the list. But some of my designs are much better suited for solids. Point/Counterpoint was one such project. I considered several color combinations and even prints as I played around with the early designs, but in the end I chose pure black and white because I wanted to make a very bold graphic statement.



While a good deal of my work is based on blocks and I have lots of fun exploring all the possibilities with blocks, the other side of my design process explores things like line, shape, scale and contrast. Studies in abstract composition lie at the heart of these explorations and they often work best in solids.

My biggest challenge when working with solids is the machine quilting. You may know that the quilting part is not what I enjoy and solids really beg to be quilted well. Deciding how to quilt an all solid quilt can be a struggle. All that space available to create great texture. I thought about pebbles to contrast with the lines but in the end simple straight lines seemed to be all that was needed. More lines might have been nice but then again minimal is minimal right?



The design produced a lot of leftover half square triangle pieces so I put them to use in a small pillow as part of the final submission. There are so many great arrangements you can make with HSTs that I do think you could play with them for a year and never exhaust the possibilites. Especially when fabric options are thrown into the mix. Here's what I included with my submission. Which one is your favorite?



I'm linking this solids post up with Sew Solid Sunday at Esch House Quilts. Hop over to see Debbie's latest all solid design and get a little inspiration.

August 20, 2014

WIP Wednesday; Color Choices

My primary WIP of the week is to get everything ready for a workshop I'm taking this Saturday taught by Latifah Saafir. It's called Perfect Puddles and is a lovely sampler quilt based on inset circles. Inset circles is something I've wanted to learn for awhile now so this is the perfect opportunity.

Photo from Latifah's Pinterest Board.

She gave us a great handout with instructions on several different patchwork designs to choose from for the circle centers. Each circle uses a different patchwork method and the finished quilt becomes a patchwork sampler. In my usual way, I wanted to do something a bit different and Latifah was very ok with my plan. Rather than a patchwork sampler, I decided to use a single fabric for each circle and turn the project into a free-motion sampler. I can use all the practice I can get with my free-motion skills and the simplicity of the design seemed like the perfect place for some practice. Here's my plan.


Selecting fabrics is usually the fun part, but of course can also be the challenging part, of designing any quilt. I first considered using an assortment of dotted/striped fabrics from my stash. I thought it would be a fun play on the circle theme. But instead, I decided to stick with solids so I would better see the free-motion quilting I hope to try in each circle and background area. Pulling a good mix of greens was a challenge though. I love green and have several green solids but once I starting pulling colors it became obvious I needed more. Can you believe I found an excuse to buy more fabric?

Here are the colors I plan to take to the workshop. Something to keep in mind when making color choices, especially solids, is that your perception of each color is relative to the other colors surrounding it. There was a point in my selection process when I felt like I didn't have a single green that was green. Of course that wasn't really the case but when you put several greens together they take on all degrees of green interpretation. Some will seem blue, some yellow, some not green at all. I'm taking more colors than I think I'll need and will create pairs of circle/background colors once the circle/rings are done.


Another problem when choosing colors is not pushing the values enough. It's easy to settle into the middle value range but the end result can be flat and mushy. This is totally fine if it's the effect you're after but quite often a quilt will be improved when the values are pushed more. We're comfortable in the middle range and don't notice the lack of contrast until the quilt is done and then feels flat or dull.

For my concept, I plan to keep the rings all the same blue color and I'm quite tempted to use the first blue shown above simply because I like the underlying slight green color. But I don't think it's as dark as it should be to really give the final blocks some punch and contrast. Here's another option that would probably be better. Again I'm going to take both and decide when I start. What do you think?


This will be the first workshop sponsored by our Boulder Modern Quilt Guild and should be a fun time. Latfah will be doing a show and tell and talk afterwards that is open to anyone for a small fee. Check out the guild Facebook page for more info.

Linking up to WIP Wednesday at Freshly Pieced.

June 18, 2014

Colorful Colorado

I did it!  I got my challenge quilt done and delivered in time for the show next weekend. WaHoo!!!

"54 Fourteeners and Amber Waves of Grain"

Indian Peaks Wilderness in the distance


My understanding is four modern quilt guilds in Colorado participated in the challenge. We were given fat quarters of Free Spirit Solids in Tango, Saffron, Apple Green, and Hyacinth. Not the colors I would have chosen to highlight Colorado, but that's part of what makes it a challenge right?

the four given challenge fabrics

More than 50 solids were used altogether. I stopped trying to keep track but most were Kona Cotton Solids by Robert Kaufman. They are the easiest to find locally plus I have a Kona color card.

most of the additional solids used

The rules:  use a discernable amount of each color along with any other fabrics of our choice to create a modern quilt representing the theme Colorful Colorado. It needed to measure at 40".  Mine finished at 40" x 55" to approximate the proportional shape of the state.

My concept:
  • use the mountain block from the logo I designed for the Boulder Modern Quilt Guild.
  • depict 54 mountains to represent the 54 fourteeners here in Colorado. A fourteener is a mountain peak with an elevation of 14,000 ft or more. In researching the number of fourteeners, I discovered counts of 53 to 58 peaks with the most common agreed upon number as 54. 
  • depict the eastern plains which are an integral, but often overlooked part of the state.
  • use color to emphasize the Colorado sky from dawn to dusk. This provided a way to include the orange and yellow challenge fabrics as they are used in the dawn and dusk rows of mountains.
Working on this quilt was a great example of color study in terms of relativity. The three blocks below all use the same green in the mountain and yet all look quite different due to the color relationships. A little hard to see the color differences here but the green gets progressively darker in appearance.





I quilted large zigzags among the 54 peaks to suggest all the other peaks of the Rocky Mountains. It reminds me of seeing the mountains when they are a bit hazy in the distance.

zigzag quilting in the mountain section


The eastern plains were quilted with a series of curvy lines to suggest the waves of grain blowing in the wind. We can have very strong winds here.

gentle curving lines in the plains

To be really honest though, it was a struggle to finish this quilt for many reasons.
  • I went with one of the first ideas I came up with and am not in love with the whole concept. Normally I would work through a design and explore several directions but didn't have the time for that on this one. Not feeling passionate about the design made it hard to stay motivated.
  • I decided in order to pull it off, I needed LOTS of different colors. After 50, I lost count. This meant finding more solids which isn't easy at our local shops and when buying online proves quite hard to discern color differences.
  • I thought I'd piece the mountain blocks improv but ended up going with a paper piecing method instead. I designed 7 slightly different mountains. Forgot to reverse the printing the first time but eventually it came together. You can see more about that process here.
  • I quilted it in two sections and then pieced the sections together . . . new for me so I winged it. Thankfully it worked without incident. Whewww!
  • I faced the edge rather than use a traditional binding . . . not as familiar with this technique but I like the overall finish.
  • I lost a week.
  • I procrastinated . . . haha, no surprise there.

I'm quite happy to have this one behind me now and am looking forward to a summer of projects I feel a lot more passionate about. Maybe even some non quilt related projects. Time will tell.

If you'd like to see all the challenge quilts, visit the Berthoud Outdoor Quilt Show this coming Saturday June 21st. Maybe I'll see you there.

one last shot before delivering the quilt shows Long Peak elevation 14,255ft. in the background.

I had hoped to have this finished in time to share on Esch House Quilts Sew Solid Sunday last month but missed the cut off so I'm linking up this month. Check out the great pillow Debbie made along with the tutorial to make your own.

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June 4, 2014

WIP Wednesday

After a very very off week, I'm happy to report my motivation is back and I'm working away.  : )

My biggest WIP this week is the challenge quilt I'm hoping to finish in time for the Berthoud Outdoor Quilt Show June 21st. Not much time left so I've got to get busy.

Four modern quilt guilds in Colorado are participating. The theme is Colorful Colorado and we need to use four given solid colors plus whatever else we want to interpret the theme using a modern style. I decided to go with all solids. A lot of solids . . .



I first thought I would use an improv method to piece my blocks. Seemed easy enough. But sometimes improv and I don't get along so well. So I decided on a paper piecing method instead. However paper piecing and I don't always get along well either. To make it a little easier, I made tissue paper templates of the two main pieces I would need. This helped tremendously. Only once did I end up with a piece of fabric that wasn't big enough to cover the paper. For me that's an accomplishment.



Next, I arranged the paper blocks on my design wall and added bits of blue tape to indicate which mountains should be snow capped.



Then I added the mountain fabrics to distribute the colors.



Next came lots and lots of cutting, lots and lots of piecing, and lots and lots of scraps. The waste is one reason I don't love paper piecing. It's also the reason I make mistakes because I try too hard to minimize the waste and end up cutting pieces too small. Nothing is more frustrating than ripping out those teeny tiny stitches and having your paper fall apart. That's why the tissue paper templates helped.  Not as much waste, but I still ended up with this lovely pile . . .



It's beginning to take shape, but theres still plenty to do. Here's a few of the blocks.



If it looks a little familiar your'e right. I used this same block for my Four-In-Art mini quilt last month.



Linking up to WIP Wednesday at Freshly Pieced. Hope by next week this will be a finish.
What are you working on this week?

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May 14, 2014

WIP Wednesday

I've been quite busy even if I haven't been linking up just lately. Catching up with bee blocks has been one thing on my list.

This Rolling Diamond block was made for Debbie last month but I forgot to get it posted. Guess that's what happens when you wait till the end of the month to get bee blocks done. Our Mid Century Modern Bee uses stash fabric so we don't need to mail fabric back and forth. Debbie asked for brights and that's never a problem in my stash. Lots of brights to choose from.



I also finished up a couple of blocks for our Boulder Modern Quilt Guild Bee. Kati asked for Broken Herringbone blocks using the fabrics she provided in these lovely shades of yellow, blues and gray.




I also finished up a cheery yellow block of hearts that's part of a special baby quilt. Our guild is newish and we've just had the pleasure of one of our members having a baby. I don't think she reads here so I hope I'm safe in sharing the block I contributed. We each made hearts in a different color. Can't wait to see them all together.



My real WIP of the week is this colorful pile of solids. I'm getting started on my Boulder Modern Quilt Guild challenge quilt. More to come later on this project, but for now here's what I'll be working with. Wish me luck in getting it done amidst all the other things I have to do right now.






Do you think I have enough colors?  50 plus at the moment and I'm actually not sure if there's enough variety for what I have planned. Finding more is hard at local shops though.

I'm curious what make of solids you prefer? Do you have a color card? I mostly use Kona because I have their color card and can get most of them from eQuilter.com, a local online shop where I am able to pick up my orders.  I'd love to have cards from all the other manufacturers too. Maybe someday. Wouldn't it be fun to have a real brick and mortar shop full of every color from every manufacturer? Every shade of every color available all lined up together . . . love the image this conjures up.

Linking up with WIP Wednesday at Freshly Pieced.

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