February 4, 2018

In Full Bloom

I'm calling In Full Bloom my first finish of 2018. It was started way back in 2016.
Can't even begin to tell you how happy I am that it's finally finished because I love it!!!

Kaffe Fassett, snowball quilt

When our daughter moved out, I claimed her old room as the guest room. My plans were for some furniture make-overs and a quilt for the bed. I envisioned a bright space full of color but it took me awhile to decide what type of quilt to make. My first thought was low volume with spots of color so I got stuck on that idea but it just wasn't inspiring me. I have always wanted to make a Kaffe snowball quilt and this felt right. Lots of color. Lots of flowers both modern and traditional. It was a great way to use up some of my older floral prints too.

Kaffe Fassett, snowball quilt

I had hoped to have it done before our daughter's wedding last summer. The wedding rightfully took priority however and while the quilt was pieced and quilted I just didn't have time for the binding. I put it on the bed anyway, sans binding, and both my sweet sisters-in-law loved it. They didn't care one bit that it wasn't really finished.

I worked on the blocks during many BoulderMQG open sews and once all 225 blocks were done the next challenge was how to arrange them. My original plan was to randomly scatter the colors throughout, but during the initial cutting the cooler greens and blues ended up on the outside edges by chance. I liked the look and decided to take it a step further by clustering colors with the the brighter flowers in the center gradating outward to the lighter colors and finally edging it in the greens and blues. I wasn't especially fond of the blues so decided to place them along the top edge where they wouldn't really show once pillows were on the bed.

Kaffe Fassett, snowball quilt

I used this great text print by Whistler Studios for the backing. The same fabric was also used for the side chair seat. The pillow shams were made from the black version of the print. This has got to be one of my favorite backing fabrics.

Kaffe Fassett, snowball quilt

Kaffe Fassett, snowball quilt

This cozy little corner features a cabinet with more quilts, a small reading chair, and a dresser I repainted after getting it for $3 at a garage sale.

Kaffe Fassett

I think this room will become my mini quilt gallery. The small quilt on the chair below is from my Interweave pattern and the quilt over the dresser is my Facets quilt pattern. Both are available on Craftsy and my Etsy shop.

Kaffe Fassett, snowball quilt

All the color and florals make me happy. Hopefully it will have the same effect on our guests. If you come to stay, this sight will great you as you enter the room . . . It came out just as I imagined. My quilted garden in full bloom.

Kaffe Fassett, snowball quilt

You can read about the process of making In Full Bloom by jumping over to these posts. How I fussy cut the blooms is covered in this post. How to draft the snowball block is discussed here. And this post shows the concept coming to life on my wall.

Hope you've enjoyed your virtual visit of my garden room as much as I'm enjoying seeing it everyday. In case you're interested, the flower pillows on the bed came from a website called Society6.

Thanks for visiting.


January 9, 2018

Modern Quilts: Designs of the New Century

2018 is off to a very good beginning and I couldn't be happier.

Modern Quilts: Designs of the New Century is finally out. It's a 200+ page book compiled by Riane Menardi, Alissa Haight Carlton and Heather Grant published by The Modern Quilt Guild and Stash Books. The publisher describes it this way, "a collectible, hardcover book that traces the history of modern quilts, explores hallmarks of the genre, and honors the genre's past, present, and future."

The book features a wonderful sampling of over 200 modern quilts and I'm happy to say one of mine, Rhythm & Blues, is in the book! WaHoo!!! It's an honor to be included along side the work of so many well known modern quilters. You can see Rhythm & Blues on page 24.

Several months ago I was contacted by TheMQG to see if they could include Rhythm & Blues in a new book they were putting together. Yes! Yes! Of course you can can I screamed at the email.


I designed and made Rhythm & Blues way back in 2012 specifically to enter in the QuiltCon 2013 quilt show. It was not only accepted into the show, but also won third place in the Use of Negative space category. That was an exciting moment for me as it was only the second time I had entered a quilt show. After QuiltCon it went on to hang as part of the first Modern Showcase at Quilt Market and Quilt Festival both in Houston and Chicago.

While showing in Chicago, the editor of Modern Quilts Unlimited saw it and contacted me about publishing the design as a pattern in their magazine. It appeared in the Winter 2015 issue. Back copies are still available here. Be sure to look for the Winter 2015 issue.


I'm happy to say Rhythm & Blues will also be making an appearance in another book by C&T Publishing coming out in May of this year. Modern Quilts Unlimited has compiled a book that features modern quilts from past issues. At this point I don't know any more than that but it's certainly exciting to see how one quilt is getting around in the world.

Whether you consider yourself a modern quilter or are simply interested in what modern quilting is all about, I highly recommend Modern Quilts: Designs of the New Century. Give it a look see. Learn about the movement. Be inspired. I'm certainly finding wonderful inspiration in every page.

Read C&T's blog post and enter for a chance to win your own ebook copy.
It's available for purchase through TheMQG, C&T Publishing and of course places like Amazon and hopefully your local quilt shop.


Disclaimer; I make no profits from the sale of this book. I am simply providing links to TheMQG and C&T Publishing for your convenience.

December 1, 2017

My Christmas Gift to You, A Free Holiday Pattern

Today I'd like to share this sweet little holiday quilt with you by offering it as a free pattern.
You can get it from my Craftsy shop.


The design is based on the traditional Friendship block. The circular block arrangement plus the addition of red circles gives this simple idea a lovely Christmas feel.

While I originally made mine for the wall, I realized it fit perfectly on top of my coffee table so perhaps it will find a home there instead. It would also make a lovely base for a small Christmas tree.



I know Christmas is fast approaching but I can tell you this quilt goes together pretty quickly and is super easy to make. The pattern yardage is for a small 28" x 28" finished quilt but I've included a list of optional sizes so you can make one that fits your space. A super sized version would make a beautiful cozy throw to keep you warm on those cold December evenings.

You can use traditional holiday fabrics or go modern with solids or modern styled prints. I didn't even use holiday fabrics, choosing instead to go with reds and greens from my stash. The only truly seasonal fabrics in the whole quilt are a few squares of white-on-white snowflakes and a holly berry print for the border.

The pattern includes a page of design variations to give you some additional ideas and a coloring page so you can play around with your own color schemes. Nothing says it has to be red and green. How about soft wintery blues, whites and silver? I think that color scheme would be so, so pretty.


If you make your own Berry Merry Wreath, I'd really really love to see it. 
Tag me on Instagram @springleafstudios and use #springleafstudios and #berrymerrywreath.

And just in case you're wondering about the other Christmas quilt on the wall above my couch, it's from a quilt-along I did a couple of years ago. You can find all the information here. Making this quilt is what turned the corner for me in terms of wanting a more updated look to my Christmas decor. Now I have another new one with my Berry Merry Wreath.


I wish you peace and happiness during the holiday season.
Remember to relax and enjoy time with family and friends.

Cheers, Anne


October 16, 2017

How New is Modern: Circling the Square

How New is Modern is an upcoming exhibition sponsored by the Rocky Mountain Quilt Museum in Golden, CO. The exhibit will showcase 38 modern quilts made by members of the Denver Metro Modern Quilt Guild. The quilts represent modern interpretations of traditional quilts from the museum's collection and I'm thrilled Circling the Square will be one of the quilts included in the show.

Springleaf Studios, Anne Deister

Today I thought I'd share how this quilt evolved by sharing parts of an earlier post about my design process.

The project began by playing with the traditional drunkard's path block. My early explorations were primarily based on the positive shapes created when quarter circle units are combined into larger shapes. As I played, I began to focus on the use of negative space. Three quarter circles creates a square negative space. One quarter circle can look like a bite taken out of a larger square. Just look at all the interesting negative spaces in the example below.

I started my explorations by creating a palette of basic shapes in Adobe Illustrator. A single quarter circle. A half circle. A 3/4 circle. Then I duplicated each shape and rotated them to give me a variety of orientations. Once I had my shape palette, I started to play around with placement of the shapes while paying close attention to the negative spaces that were created.

Creating negative squares from positive circles really intrigued me so, with this concept in mind, the name Circling the Square was born. I don't know that I've ever named a quilt while designing it but in this case the name spoke to me. It helped to clarify the concept and began to influence my design decisions.

Early on I tried quarter circles coming in and swirling around until they created a square of negative space in the center. Very interesting but not quite what the name implied to me. Maybe I'll pursue this idea down the road.

Then I began to focus on the circles forming a mass with the square at it's center. This was closer to what the name implied but it wasn't quite there yet.

The consolidation of shapes was going in the right direction but the rectangular format wasn't right. I made the decision to change the overall format to a square which seemed much more appropriate given the quilt name.

As the mass of quarter circles came together it only seemed right that the larger shape created be circular in nature. I tried a lot of different arrangements until I got a somewhat uniform mass of circles. Careful attention was paid, not only to the placement of the circular units, but also to the negative shapes that were created. I wanted to balance the use of full circles, 3/4 circles, and half circles along with the negative shapes. I worked primarily with odd numbers, in many cases repeating the use of three elements as you can see below.

Once I got the basic shapes in place, I started to explore color. The constructive nature of the design reminded me of the early modern art movements of Constructivism and Bauhaus.  Black, white and red were frequently used in the graphic designs of these movements so it just seemed to be the right color scheme to use here. I did look at a few other colors but nothing was as dynamic and strong.

As you can see in the illustration below, I tried using red for the center square. It seemed like the natural place to use color. The effect, however, was that the red square became a positive shape rather than a negative space. There's nothing wrong with this except it wasn't what I was trying to depict. My intent was the creation of a negative square formed by the circles. Removing the red, as in the second example, returned the square to it's negative space but the design needed color. By placing the red in the only full circle in the entire layout a focal point was established. It gave the eye a place to start the journey of the circles swirling around the square.

Once I settled on color placement, I explored the finer details of the arrangement. The addition of little black arcs around the outside activated the circle. Take a look above at the far right illustration and then the illustrations below and you can see how the composition feels more active. I started with three (below left) and decided on six (below right).

Another refinement was in the small negative squares that come off the large central square. I felt the small squares (below left) diminished the effect of the large square. It didn't quite read as a single large square in the way I intended. Next, I tried changing the small squares to quarter circles (below right) but this didn't quite work either. Now the center square looked like it had three little wings. This arrangement also introduced a new shape to the black 3/4 circles that didn't really like.

Do you feel like you're playing one of those games where you need to find the differences? Can you find all the things I'm referencing? If not look harder.  : )

Below is the final layout. Simply rotating the quarter circle units brought the 3/4 quarter shapes back in alignment with the rest of the design while clearly defining the negative center square. So there you have it. The final design . . .

While I work out a lot of my designs in Illustrator, many of the finer details happen on my design wall. The placement of the final black arcs and refinement of the center square all happened on the wall. I also auditioned fabrics on the wall. I used tone-on-tone prints for almost all of the circle shapes and for all the negative areas except the center square which is a solid. I'm quite happy with how this design evolved and developed.

I quilted it with a giant spiral starting from the center of the red circle. Red thread was used in the red circle and then I switched to a very light gray for the rest. Can't say that I'd want to do spiral quilting on anything larger than this. The final size is 52" x 52" which is about the max I can imagine turning around and around and around under my short machine arm space.

I hope you enjoyed this glimpse into my design process. My graphic design background leads me to a more controlled approach to my work but not everything is predetermined. It's a back and forth between computer and design wall. Sometimes even a rough sketch on paper.

Show Information:
I'd like to invite you to the opening reception Friday, October 27th from 6-8pm.
The exhibit, How New is Modern, will run October 23, 2017 through February 3, 2018.

If you live anywhere near Denver or will be visiting the area, you really should check it out. It's going to be a fabulous exhibit of modern quilts. Learn more about the Rocky Mountain Quilt Museum by visiting their site. Come see the quilts and learn about modern quilting.

I'll see you there.  : )


September 19, 2017

Which Fabric / What Pattern

Does anyone else besides me have a hard time deciding what to make with a particular group of fabrics? I sometimes have the hardest time deciding which quilt pattern to use with the fabrics I gather together.

Below are just a few of the fabric groupings that are sitting around my studio. I thought if I shared them with you then maybe, just maybe, I'd guilt myself into actually making quilts with them. Maybe?

Right now I can't decide which fabrics to start with but am leaning toward the green leafy grouping below. Even though I'm finishing up a green quilt (which I'll blog about soon) I still want another one for our family room. Winter is coming and we need new quilts for the couches.

And then there's these two black and white groups. Pretty florals and of course leafy prints too.

Love these pretty coral/yellow prints in this group. The larger print second from the bottom is a new one that I just couldn't resist. Not that I needed anymore fabric but I just fell in love with the colors in the print. I probably won't use all that are shown in this photo as I may just want a limited palette to feature the main print more.

I've been collecting these pastel Kaffe prints for awhile now. Really need to do something with them before I collect anymore. haha.  I like that it's not my usual bright color palette.

And finally there's the aqua, teal, chartreuse collection that's been accumulating for ages. This color palette came from a gift store display that featured mostly aquas with a touch of chartreuse. I think this one will be the Cross-Plus pattern . . . maybe?

I have many many more fabric groups that I've pulled over the past several months. They sit around the studio for awhile and then get put back on the shelf or into a plastic box. I really really need to get busy. And I really really need to stop buying until I make a reasonable dent in what I have.

Choosing which fabric to use is only half my battle. Then I have to choose which quilt designs/patterns to use. Disappearing 9-patch. Bento Box. Bow Tie. Cross-Plus. Painted Forest by Scott Hansen of Blue Nickel Studio. These are just a few of the ones I'd like to try. And then there's the remakes from my own patterns. Plus trying some improv ideas from both Joe Cunningham's Craftsy class and Sherri Lynn Wood's book The Improv Handbook for Modern Quilters. I'll probably save those last two for the solids in my stash.

I've known for a long time I have more fabric than I can use and now I'm also beginning to realize there are way more ideas than I can probably get to. The ideas for my own quilts just keep coming, plus I keep finding more and more great quilts on Pinterest and Instagram that I would like to make.

Time to turn off all the social media input and get the inspiration under control. Time to turn on the machine so I can start stitching. Wish me luck.  : )

So which fabric group would you choose first? What would you make?


August 26, 2017

Mr. and Mrs.

I'm back . . . and this is why I've been gone. My daughter Emily got married!!!

On June 29th 2017, Emily and Ryan said their vows with a rushing Colorado mountain river in the background and just a few raindrops to bless their marriage. It was beautiful!

Our family of four has grown by one and we couldn't be happier.

It was so special shopping with my daughter and finding the perfect dress. The one she chose was extra special because the name of the dress was Marnie. My Mom was called Aunt Marnie by my cousins my entire life. On top of that, Emily wears my Mom's engagement diamond in her ring! And, to complete the picture, this frame is a special one that came from my Mom's house. I just love this photo and all it means. I'm sure my Mom is proud of her beautiful granddaughter.

Emily envisioned a botanical theme featuring primarily ferns with a few florals added in for color. My inner graphic designer had so much fun designing and making the invitations and other decorations. I used my Silhouette to cut the leafy panels for the invitations and Illustrator for many of the other items.

The floral motif came into play with this beautiful paper that we used for some of the signage and this fun wall of photos telling the Deister and Othman family stories.

Since allergies were a bit of an issue, Emily and I did the bridal bouquets ourselves using some lovely high end silk flowers from a specialty floral boutique. Can you tell we had fun playing with all the beautiful colors and blooms.

We spent the whole week of the wedding in the mountains with family from out of state. Hiked in Rocky Mountain Natl. Park, talked, ate and talked some more. Had a special girls only party and basically had a fantastic time just being with family. This is Ouzel Falls and then the view of the river near the wedding venue. Stunning.

I'll leave you with just a few more wedding photos . . .

Introducing Mr and Mrs Ryan Othman . . . my daughter is a wife.
And Ryan is a wonderful, handsome, caring husband.
Life is good.

If you've read this far, thank you for indulging me and sharing in this very special event. I promise I'm getting back to quilting. I've finished a top that perhaps you've seen on Instagram.  Take a look and follow @springleafstudios.