Quilt Market; the People

It's been exactly 2 weeks since getting home from Quilt Market. And exactly 2 weeks since getting the crummy cold that drained me of all energy. The cold is still lingering but so are the wonderful memories of Market so I'm finally posting about my experience.

This was my very first time attending and it has taken me days to process it all. What can I say? Quilt Market was AMAZING and very very overwhelming. A visual overload of the most colorful creative variety imaginable. At the beginning of this year I never imagined I would even go to Quilt Market. Now I can hardly wait to go again. : )

The convention center is HUGE. Can't even get a photo of the entire building.

The main reason I decided to go was this . . .

I entered "Rhythm & Blues" into the Modern Quilt Guild Showcase and was honored to have it selected as one of seventeen quilts chosen to represent the modern movement in quilting at both Market and Quilt Festival. It even made it into the Market brochure listing all the classes and exhibits going on.
Needless to say this was our first stop when we entered the show. I'll show some of the fabulous quilts from the exhibit in another post.

Once I saw my quilt, we headed into the exhibition hall in search of the Generation Q Magazine and Interweave Press. I've been fortunate to work with both of these publishers and hoped to meet the editors in real life. We came across the Interweave booth first where I was excited to see the issue with my project on the cover being displayed.

Met some of the great sales people and in talking with them found out Marlene lives just blocks from me in small town Louisville. Couldn't believe that one. Amber is the editor I have worked with and we saw her several times on the floor in deep conversion with various people. In retrospect I wish I had interrupted because I never got to meet her in person. Hi Amber . . . I saw you!

Next up was GenerationQ Magazine where I was very surprised to see a quilt I made for them hanging in their booth. It hasn't been published yet and I didn't expect to see it there so that was a thrill. When I introduced myself to Vickie who was manning the booth she jumped right up and gave me the biggest hug. I had not had any direct contact with her before and yet she instantly made me feel so welcome. Thanks Vicki, you were just what I needed to start my Market experience. Eventually I was able to meet the rest of the GenQ team and there were lots more hugs all around. They truly were all just so nice that I feel blessed to know people like Jake and Scott in the industry. Go buy one of their magazines and help this great start-up. They're on a roll now publishing 6 times a year.

Vicki Tymczyszyn and my daughter Emily and I in the GenerationQ booth

Jake Finch and Scott Hansen, my main GenerationQ contacts.

I have to say that one of the things that stood out about Market was the people. And I will admit to being a little (ok, A LOT) star struck by seeing people like Amy Butler, Anna Marie Horner and Kaffe Fassett. For those of you who know my work, you know I'm a huge fan of Kaffe's fabrics so it was a thrill just to get my picture taken with him and be able to give him my business card with a pic of my pattern Cascade on the back which features his fabrics. He loved the quilt which was quite flattering.

Kaffe and I . . . I match his quilt.

If you ever get the chance to go to Market, GO!!  Just be prepared. I wish someone had given me a first-timers guide on how to do it all. Looking back now I realize I spent most of the time in complete awe and didn't do nearly as much as I could have/should have. It's such an overload of visual stimulation that I simply didn't take in all the details and didn't realize it till I was home.   : (  
But there's always next time right?   : )

Definitely one of the best things about the entire trip was that my lovely and talented daughter Emily came along for the adventure. Market wouldn't have been nearly as much fun without her and it certainly would have been more intimidating if it hadn't been for her. Thank you Emily for being such a strong supporter of my quilting.

Hop over to her Etsy shop Emily Claire Studio and see the fabulous jewelry she makes. She's wearing one of her pieces in the pic below. Isn't it great?

I'll be posting more about the booths, the quilts and other Market things in the coming days so stay tuned. Might even be a giveaway tucked in there somewhere.

Four-in-Art: Maps

It's time for the big reveal of our Map quilts as part of the Four-in-Art small art group I was recently invited to join.

I posted a couple of weeks ago about how I've always wanted to explore making art quilts but have just never taken the plunge. This fun little group has given me that chance and I'm looking forward to experimenting and learning about my personal style.

Our overall concept for the year is Urban with this particular topic being Maps. Last weekend I had the good fortune to attend Quilt Market in Houston and got to see several quilts made as part of a special exhibit entitled Maps sponsored by Quilts on the Wall. Here are two of my favorites.

Gone By Laura Bisagna, Winchester, CA
Laura's quilt depicts her home and others that are "gone" after a wildfire.
It's difficult to see but the black spaces are actually cut away to create holes in the quilt
representing houses that were destroyed by the fire.

Layered Marks From the Sky by Carol Nilsen of Laguna Beach, CA
An aerial photograph of a runway and taxiway inspired Carols' quilt.

Notice a common theme? Aerial views. That's essentially what maps are all about isn't it? An overview of a place or thing that helps us get our bearings in relationship to ourselves and our location . . . some maps even help us find the bearings of our lives. You can "put something on the map" thereby bringing it to prominence. Or you can "wipe something off the map" thereby obliterating it entirely.

For my map quilt, I chose something personally meaningful that I hope will never be wiped off the map. Something that will always be a part of the map in my mind and hopefully that of my children as well.

Now I am not an urban person by any means. Never have been and never really want to be. I'm a small town girl through and through. So I decided to express my urban map by depicting what was urban to me growing up. My hometown . . . Kentland, Indiana . . . a map as I still see it in my memory.

I love the loose improvisational style that so many art quilters do so freely but also realize that doesn't come easy to me, so rather than fight it too much on this first quilt, I just went with what does comes naturally to me. Structure and grids. I'm a planner and inherently a pretty structured person and the idea of a grid lends itself perfectly to the rural farmland around my hometown. The fields and rural roads are all pretty well laid out on a grid.

With this underlying structure in mind, I started cutting and piecing little bits of fabric into a grid. I chose not to be too literal with my interpretation, but rather to work from my general memory. I pieced and ripped out and pieced some more.

Finally my base "map" came together. I used an variety of greens to represent the fields surrounding town. Grays created the general town plan with three darker squares representing the significant places in my life . . . the business my Dad ran, where Mom worked and where my first job was, my church/elementary school . . . and of course HOME.

Then I stitched in more detail. The intersection of the two main highways in town, the railroad, the ditch, the downtown area . . . all two blocks worth. The main streets in town. The park across the street from our house. The dark gray color of our house along with the red flowers Mom always planted.

The last step was bringing my own personal story into the picture.  I selectively cut words and phrases from a piece of Madrona Road fabric to tell my story. The front of the quilt was purposely kept simple to reinforce the simple life of living in a small town. These words were hand stitched in place to again reinforce the simple ways of small town life.

The final step was binding. Since Kentland is surrounded by cornfields I chose a corn print from my stash to surround my map. But once it was sewn on I didn't like the look. It was too distracting from the town itself and the main concept. So I painted the corn green along three edges leaving just one side yellow to represent the corn hybrid test plots on the edge of town.

Here is my finished Urban-Maps quilt. I'm calling it "My Urban - A Place to Call Home"

"My Urban - A Place to Call Home" front

"My Urban - A Place to Call Home" back

On the quilt back I pieced together a narrative that tells my story . . .

Once upon a time, a baby girl was born

the family settled in a little house

And as she grew, she explored and roamed

and filled her deep well with knowledge.

But the road beckoned . . . 

All grown up, she traveled across the land

stitch by stitch she pieced her soul together

the winds led to her soulmate

they were deeply in love

eventually settling in the Old West

to raise their littles 

in a steadfast place . . .  to call home.

I grew up in this small midwest town where farming was pretty much the only industry. But even in a rural farming area, I was a town kid, not a country kid. Living in Kentland was my "urban" for the first 18 years of my life. Since those early years I've lived in several smaller cities and states but am happily back in a relatively small town. Different state but similar small town feel. Ten times the size of my hometown but still small.

But in the bigger scheme of life, Kentland will always be "HOME" to me.

Everyone in the group came up with wonderful ideas. It's going to be so much fun making this art journey with all of them. Take a look at their mini maps by following the links below.

Amanda - What the Bobbin
Betty - Flickr page
Carla - Lollyquiltz
Elizabeth - Occasional Piece Quilt
Nancy - Patchwork Breeze
Leanne - She Can Quilt
Rachel - The Life of Riley